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The Art of Juxtaposition: Visual Storytelling with Stephan Eirik Clark
In a recent lecture at City University of Hong Kong MFA Program, Sweetness #9 author, Stephan Eirik Clark described how writers can borrow cinematic visual storytelling methods to enhance their prose. He illustrated his thesis, using scripts from two films from the year 1985, Witness with Harrison Ford and Rambo II with Sylvester Stallone. By using the later as a counterpoint, Clark showed the difference between image-driven storytelling and Tweedledee and Tweedledumb driven pulp: Co: How you get into this? Rambo: It’s a long story. Co: Long ride. Rambo: Well… after I left Special Forces, I… moved around a lot. A hollow tale requiring noise and flurry to mesmerize the…